Since the 1970s, film scholars have been searching for a unified theory that will explain all types of film, their production and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory and the psychoanalytic ideas of Freud and Lacan. The authors of this text ask why not employ many theories tailored to specific goals, rather than se...(展开全部)

Comprehensive, authoritative, and unique, The Oxford Guide to Film Studies is the up-to-date critical volume on the theories, debates, and approaches to the study of film. A host of international experts provide an overview of the main disciplinary approaches to film studies, an explanation of the main concepts and methods involved in film analysis, a survey of the main issues ...(展开全部)

In this book, preeminent organizational scholar Edward Lawler identifies a comprehensive and integrated set of talent management practices that fit today's rapidly evolving workplace.The world of work has changed dramatically, says Lawler. Organizations now operate in a global environment.

Watching movies every night at home with his cats, film scholar and cat lover Daisuke Miyao noticed how frequently cats turned up on screen. They made brief appearances (think of Mafia boss Marlon Brando gently stroking a cat in a scene from The Godfather); their looks provided inspiration to film creators (Avatar); they even held major roles (The Lion King). In Cinema Is a Cat...(展开全部)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

作者亚历山大•柯瓦雷（1892-1964），俄裔法国哲学家、科学史家。在科学史方面，柯瓦雷享有不亚于科学史之父乔治•萨顿的地位。柯瓦雷的著作和他在普林斯顿研究院的科学史讲座，揭示了一种新的科学史研究方法，它不同于萨顿百科全书式的大综合，而是以科学思想为线索从整体上展现科 学史，从而使科学史研究具备了极强的思想魅力，吸引了一大群富有才华的学子转向科学史并将之引为毕生的事业。柯瓦雷及其科学思想史学派所描绘的关于“科学革命”的雄伟画卷，深深地影响了并且至今仍强烈地影响着一般社会受众。换言之，为社会受众所普遍接受的是柯瓦雷式的科学史。 译者张卜天，杰出青年译者，有译著近40部。热爱哲学和科学史方面的翻译，研究方向为西方中世纪和近代早期科学思想史，研究领域主要集中在近代科学的起源和科学革命，特别关注现代性的起源，科学与哲学、神学的关系和互动，中世纪晚期和文...(展开全部)

乔治•摩尔(George Moore，1873－1958)，英国哲学家，分析哲学的两位创始人之一（另一位是罗素）。1892年起就读于剑桥大学三一学院，1898年至1904年为该院研究员，1911年起在该院任教，1939年退休。1921年至1947年任《精神》(Mind) 杂志主编。主要著作有：《伦理学原理》（1903）、《哲学研究》（1922）、《哲学的几个主要问题》（1953）和《哲学论文集》（遗著，1959）。